Learning the art of Stained Glass and Leadlighting is a very absorbing craft and requires a great deal of patience and accuracy. Adorn doors, lampshades and mirrors.
This craft dates back many centuries and can still be enjoyed by the craftsperson.
Design is important
Designs are available in books and craft stores as well as imagination.
It is suggested that one begins with a small project then advance to something more ambitious.
Workspace Needs
A sturdy table
Good lighting and ventilation
Some Glass Suggestions
Opalescent
Cathedral
Antique
Leadlighting Tips
Wrap glass in paper when not being used.
Good ventialtion when soldering.
Wear rubber gloves when handling chemicals.
Safety goggles are a suggested investment.
Materials required
Glass- cutters
Various pliers
Lead cutter
Nails
Soldering iron
Felt pen
Graph paper
Rubber cement
Soft cloths
Brush
Dishwashing detergent
Lead or Copper foil
Fine tooth saw
Zinc Chloride Flux
Brown paper
Carbon paper
Scissors
Wooden roller
The design is drawn onto the graph paper.
The carbon paper is used to make a copy of the design. Number the sections where the different colours of glass will be placed. This transfer is referred to as the ‘original cartoon.'
Sharp scissors are used to cut the pattern from the Graph paper. The other copy is the worksheet. Cutting glass is termed ‘scoring’, and to achieve accuracy it is wise to glue the pattern to the glass with rubber cement, the excess cement is wiped away with a damp cloth. Allow this to dry then proceed with the scoring.
Safety goggles should be used before the cutting with the glass cutter. Slowly and carefully, this is run along the inside of the pattern edge. The cutter is taken off the glass. Score through the patterend lines andwhen all pieces are cut, check the worksheet diagram and each piece of glass is then numbered.
Peel off the rubber cement pattern and retain these pattern pieces. Wipe the glass clean with detergent.
When all pieces have been cut, place them into pattern position on your worksheet.
It is now time to prepare the copper or lead foil. The strips are cut and placed around the edge of the pattern. Slowly and precisely the foil is encased around the edge of the glass, the foil edges pressed down firmly between the thumb and index finger, this is called crimping.
The wooden roller is rolled over the foiling to ensure a firmer and neater edge.
This is placed onto the worksheet and continued in the same manner with each pattern piece.
The pieces are assembled with the soldering iron. Small nails are used to hold the piece in place. Flux is applied to the joints, then all joints are soldered with a hot soldering iron, carefully turned over and repeated.
Black putty is applied between the glass and groove in the lead. The putty must be kneaded in the hands to make it pliable, pushed in with fingers and trimmed with a cutter. A few days are needed for this to set before the other side is done.
The putty is thinned with turps and applied with a brush.
After many hours of work the piece is now ready to take pride of place in that special spot planned for it.
The copyright of the article Learn the Craft of Leadlighting in Stained Glass & Tile Crafts is owned by Aileen McLeod. Permission to republish Learn the Craft of Leadlighting in print or online must be granted by the author in writing.